Hemitonic scales contain one or more semitones and anhemitonic scales do not contain semitones. Musicology commonly classifies pentatonic scales as either hemitonic or anhemitonic. Main article: Anhemitonic scale Minyō scale on D, equivalent to yo scale on D, with brackets on fourths Miyako-bushi scale on D, equivalent to in scale on D, with brackets on fourths ![]() now, that is a true musico-linguistic universal." There are two types of pentatonic scales: those with semitones (hemitonic) and those without (anhemitonic). As Leonard Bernstein put it: "the universality of this scale is so well known that I'm sure you could give me examples of it, from all corners of the earth, as from Scotland, or from China, or from Africa, and from American Indian cultures, from East Indian cultures, from Central and South America, Australia, Finland. Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. ![]() The first two phrases of the melody from Stephen Foster's " Oh! Susanna" are based on the major pentatonic scale Ī pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale, which has seven notes per octave (such as the major scale and minor scale). For the a cappella group, see Pentatonix. For the record label, see Pentatone (record label).
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